Working closely with the UAL Design Department I created a suite of on-screen motion assets for them to use across all video and social media. Sticking as closely as possible to their simple yet bold brand guidelines to create a clean and versatile kit of parts.
Created the visual identity for a new health and fitness brand focusing on digital detox, outdoors exercise and healthy plant-based eating. First up was designing a logo, then an overall visual style and aesthetic, then I then moved on to creating some online animated videos for them to use on their social media channels.
Collaborating with director Tupac Martir for Satore Studio, I was lucky enough to work on this video adapting his earlier work with dancer Sonya Cullingford to create visuals for the band’s live performances by editing, overlaying and time-remapping various individual animated performances into one piece. This then became the official music video for the wonderful UNKLE song, taken from the album The Road: Part II (Lost Highway).
In collaboration with Satore Studio & Chameleon Visual, I created the visuals for the launch event of a new BOSS range in Germany September 2019. Using specially shot footage of models in BOSS clothing, we created a bold, colourful tapestry of interacting cut outs across the 4 huge walls of the show space as well as the tunnel leading to it.
I was hired to refresh the branding and design assets for fitness brand CAR.O.L across their whole range of assets including print, web and motion (I couldn’t change the main logo/font or colour palette, only work from what they had already). The project ended up not reaching completion due to unforeseen issues, but I created and art directed a whole range of assets across social media, video, photography + more, some highlights of these are shown below.
Working closely with James Lavelle, Stephen Dobbie & Colin Nightingale, I created 2 videos for the Beyond The Road Exhibition at Saatchi Gallery summer 2019. The first piece was an installation-centered video using footage from Alfonso Cuaron’s ROMA, cut to the UNKLE track inspired by the film ‘On My Knees’ feat Michael Kiwanuka. The piece is projected onto a large ‘floating’ screen in the centre of dark room, where a full 360 audio set up surrounds the viewer with a specially curated version of the music, combined with sound effects that mesh together to immerse in all directions. I also created an immersive colour-based installation for the same room, that acted as a visual ‘palette cleanser’ between the showings of the other films.
The second video was a 30 minute installation piece, featuring footage from the Danny Boyle directed series TRUST, combined with static noise, TV glitches and other effects. To create a bewildering but evolving visual accompaniment to the 360 audio of the room it was playing in. The video was housed in an old TV in the corner of one of the rooms, with key aspects of the soundtrack like lyrics coming out of the actual TV’s speaker while the rest of the music filled the surrounding space from various other speakers.
I created these trailers to promote the new exhibition BEYOND THE ROAD at Saatchi Gallery. A collaboration between Colin Nightingale & Stephen Dobbie (Punchdrunk) and James Lavelle (UNKLE), the exhibition is a deep & mysterious experience in deconstructing music and imagery to create a unique and enlightening atmosphere. With no footage or artwork to be used, we instead focused on the imagery of the arch (the emblem of the show) and the idea of passing from one world to another. I was lucky enough to be able to create a bespoke audio bed for the trailer, intending to allude to the unique atmosphere of the installation using the many separate music stems of UNKLE’s track ‘Ar.Mour’ to create a de-constructed but eventually cohesive sense of progression.
The lovely people over at Warp magazine in Mexico did an article and interview with yours truly, to talk about my experiences in the industry, my creative processes and my experiences collaborating with James Lavelle of UNKLE, ahead of their festival performance in Mexico September 2019.
Working closely with the client, we cast, costumed, styled & shot a range of characters in various poses, later comp-ing them in to specially shot London locations to help visualise the look of the game’s neon-soaked urban world.